Oh, for sure. So that's coming out soon. I don't know the timeline. I imagine it's coming out, like, probably in the next couple of months. But it's Billy Zane, Michael Dry White. And it's the and it's a an indie thriller will call it, like a siege thriller, that takes place. We shot North Bay. And it was such a fun project. All night shoots, That project was absolutely sponsored by Timbits, like, keeping me alive. Like, I would drive from set to my hotel, at, like, honestly four in the morning, every single, like, morning. Like, that was the end of the shoot. It was, like, five in the morning, four in the morning. And I'd be driving home, like, just mucking timbits, like, oh my god, stay alive. Like, you can't be the one to ruin this movie. Like, just get home. And, it was so much fun. I cannot wait for people to see it because, you know, I get my ass kicked by Michael dry. Why? Like, what a joy? What an honor. You know? Billie's name. He's such a comedic genius. He's such a weirdo.

Yeah.

Like, truly. Just one of the strangest, most artistic men, a delight to work with both of them.

Are you a fan of a horror, I guess,

of I love horror movies. Oh my god. I'm such a huge fan of genre. Like, I I've written a couple horror movies. Like, that's basically and even if I write something, it's not a horror movie. It always ends up being a horror movie. Right. Like, I don't want that to happen, but then somebody's head explodes. And I'm like, I can hear it because this is weird, you know. Yeah.

Damn it. It began in Oregon.

Yeah. Whoops. Like, so sorry. Like, it's something about that, like, you know, from dusk till dawn esque energy where, like, you write one thing, you're making a, like, a kidnapping movie. And then all of a sudden, you're like vampires. But, yeah, it's way better now.

Amazing. Well,

when we get to what, people really wanna hear about here, And before before I bring up the l word, there's just a little, clip I'd like to play for you.

You know, is it something that I really love about Sternsey and Conimation, stand out here, is, aside from being shockingly talented, just she she is so talented this guy across the board. And second to none when it comes to creativity on set is his commitment to the fans of the show. You know, he's become a prominent member of the streaming world, and he makes himself available to fans of the show in his leisure time. And I really dig that about him Another thing I'd I really dig about him is, like, he's he's such a family man. You know, if he I saw this video one time of him playing with his nephews, and one just bolted over and sacked him so hard.

And he laughed so hard. It was so

funny. But, you know, in speaking about is, you know, creativity on set. This I go into TJ here too, but, those two, they're always so prepared when they come to set, and they give us way more than what's on the page. Way way more.

So that was, somebody might know Jared.

Yeah. Who was that? Who's voice was

some random on the street.

He's the most specific cadence. Like, the second he's like, so oh my god. Jared. I'm gonna hear with the breath. So how did you get That's unbelievable. How did

you guys litter Kenny?

How did how did it how did

it all start? How did it happen? Yeah.

How did you start? Yeah.

A million years ago when the earth was okay. I auditioned I got this audition for, for Stewart, because Roll was not a character that existed.

Okay.

So I got an audition for Stewart. And on the page, it said, you know, he's like a boss. He's and and but he's, you know, the confidence and stuff isn't there, things like that. And then wishes you could dance like Michael Jackson. Was the breakdown for sure something really specific like that? And I really glommed on to the idea of wishes you could dance like Michael Jackson. I worked on the I worked on the on the on the sides with my friend Amy, and I remember her saying, like, she was, like, oh, you're, like, you're, like, one of those, like, little mob bosses wearing his dad's suit in like, a huge suit and you're, like, swimming in

it. Mhmm. So I

went in with, like, that kind of energy, kind of that Stewart energy, and just basically delivered the lines a million miles a minute, like, just exactly what I saw in the web series, because the web series had been out at that point Mhmm. For a very brief time.

Yeah.

And so I kinda tried to copy that cadence as closely as it could, memorize the crap out of the words, which is basically the whole thing for Letter Kenny. If you can honor the words and deliver them word perfect, you're gonna you're gonna nail it. So I came in with that. Set things as as quickly as possible. And then I did a little dance. And I was like, by the way, I can I can do this? And then, like, they're like, Well, that's interesting. And then I got a call, like, almost it was, like, a week later being like, okay. So so Stewart is, you know, gone to somebody else, some piece of shit named Tyler Johnston or something. And then but we have this, other character that we thought we could make for you, like, make this guy named rolled? Like, how would you think about rolled? Do you think about he's a he's a break dancer? He's gay. He loves, Stewart, maybe. Who knows? And I was like, if that sounds fair, okay. Yeah. I've never been on a television show before, like, you know, you know, for more than a couple episodes. Right. Sounds good. And so I went in and I and I I was very nervous. I was very excited. And you can see it in the first season. There's a lot of sweating. There's a lot of dancing for seventeen hours in a row. I think it really comes across in the character, like, how how jacked up we were all to be there. And then, obviously, over the course of the show, it just kind of, like, expanded. And it was, like, okay. So now you're you're gonna be here a lot more. And so I feel very fortunate that that they saw something in me to keep me around because, you know, There's a lot of characters in the show. It's a very huge ensemble cast. So to be welcomed back for, like, ninety nine point nine percent of the episodes, I was like, wow. That's Thank you. Well,

well earned. And,

Thank you.

One one question, I mean, so we and I don't I don't wanna stay on the one part, but Alexander Dejordi exits what, in season two.

Yeah. So

we go into season three. Was there an added pressure or conversations with you about becoming much more of a presence in the show at that point?

It's an interesting question. There wasn't necessarily, like, a more of a converse surrounding it, but it was obvious that there was it was like, oh, Alves isn't coming back for season three, I guess it was, specifically. And so I was aware of that And I definitely saw, like, an increased, like, amount of my lines, obviously, because we're filling, like, a a void in that skid space. And we also had to Tyler and I had to do a bit of a balancing act as far as being like, okay. So what's the power dynamic now?

Yeah.

And so, like, we knew there was something to work on there. We weren't super specific about being like, okay. So Alex isn't here. So now how are we gonna do it? It's so natural with Tyler to just, like, He's just such a good fucking actor. Like, he's just so good. Like, he's truly, like, I say this all the time, but if all if if if Tyler was given the opportunity, to work, work in a film that had Oscar potential, Tyler could win an Oscar. Like, he's so unbelievably talented. And so, like, working with him, I generally just kind of do a lot of reacting and a lot of operating off of his emotional state. And so it's this kind of orbiting steward. And so, like, once once dujordi was no longer in the picture, and we didn't have Devin as this, like, you know, he, like, Devin's always trying to usurp the throne. Yeah. Whereas rolled is more like, okay. So what does the throne need? And so There was this constant state of, like, okay. How do I please this person or keep this person from, like, exploding or losing their cool? And it's almost like you see Tyler's, like, Stewart's descent into madness over the course of the next in whatever, like, twelve seasons, ten seasons. And there are times where rolled even starts to get more, ambitious, more independence. And I have Tyler not Stewart. Tyler is like, oh, fucking like this. Like, yelling on set, like, actually a completely breaking character being like, I do not want Raul to of this much independence, like, do not like this, butch made it even funnier and made it work even better. So it was, like, it was it was really it it there was definitely a challenge. But, I feel like we rose the challenge quite organically. And, again, that's in no small part due to the writing, and then also Tyler just just God. He is a freak when he puts that wig on.

What about yourself, though? Like, how much autonomy or influence do you think you've had on the development of, of, that character.

Interesting question. I think that, the development or the the the the autonomy that I've had is mostly due to, like, whatever it is I brought to what we've been effort. So, like, let's say we get a scene, and I do something a little bit different with it or I come in in a handstand or I do, you know, something that's not written on the page. Sure. But mostly just like the cadence of the delivery, like, even the even the stirs. Like, I'm sure this will come up, but, like, the invention of the of the the first ever Sturt was not written on the page. It was just like, I wanted to express his name so much so that I it snuffed all the vowels out of it, and we just said the consonants. And then Keith comes over and goes, no. You know what you did there with the name? Yeah. I I like that. I like that. Do that again. And so, like, then all of a sudden, I'm saying Stewart in every single fucking script, like, eight hundred times because he writes it in. So, you know, I do a little thing And then they see that they like it. And they're really good, like, both both keys and tyranny are super good at, like, picking out the things they like in the show. And the things they like in the actors and then amplifying and being like, oh, yeah. I want Gail to to to have more opportunities to put her foot up on the bar. You know, I want I want, like, they they do that. So anytime I did something that they really enjoyed, I would see it a lot more in future scripts, like the six, six, six, That wasn't. I don't that certainly wasn't in the script. I don't know I don't know what that was, but Tyler and I were just talking about things that we, like, you know, as characters, oh, we like sex, in this meeting or something. We're like, oh, sex, sex, sex, sex,

sex, sex, sex, sex, sex, sex, sex, sex, sex, sex, sex, sex,

sex, sex,

sex, sex, sex, sex,

sex, sex,

sex, sex, sex. And then all of a sudden, you see it thirty more times in the show. So I'd say that's how the autonomy works, but it's really more of, like, them being able to pick out what they like. Yeah. So

You've given you've given a lot to to choose from.

Mhmm. Too much.

We so we let our listeners know that you're coming on, so they had a bunch of questions for you.

Hey, listeners.

Cassie, I mean, back to the dancing a bit here. Can you tell us how you got involved with dance in your journey with that?

Oh, sure.

I was

very, very young. I think I was seven years old when I saw my cousin, Ryan B, that's his real first name, Ryan Space, Capital B, went by B Fresh, in London, Ontario. He was a b boy. Yeah. It checks out, like, crazy. And I saw on break dancing. And I was, like, this is the coolest guy in the world. He has samurai swords, he breakdances, you know, well, I wanna do that too. And so I started breakdancing at seven years old. And from there, there used to be this, website called Be Boy World. I'm not sure if it still exists, but I would learn new moves. Like, every week, I would spend so much time just, like, doing couple grinders in the kitchen and, like, and swipes and stuff like that. Like, I would I would I would get really obsessive. Whenever I wanna learn something, I get extremely obsessive, and I learn how to do it. To the best of my ability. So breakdancing came at a young age. And then it also meant that I got to use it at, like, parties and things and people love when somebody break dances at parties, even though it's the most obnoxious thing in the fucking world. So, like, really, everybody make a circle. It's like, oh, I never did I was like, somebody else will make a circle. They'd and I'd have to come in because we were like, Evan could do this. And then I moved over to, like, tricking, which is like, break dancing without any dancing. You're just doing flips in the yard. It's like parkour Sure. But without jumping off stuff. And I exploded my hip and was like, this is terrible. I can't move the way I used to. And I had to go to physiotherapy for months and months. And then so I'd stopped dancing. Like, I had stopped break dancing because I was, like, this is so dangerous. Like, what am I doing with myself? Also, there's fewer opportunities to break dance at castles, in university. Like, just doesn't have a drama.

There's not any cardboard in the castle.